♪♪ ♪♪ [ APPLAUSE ] [ APPLAUSE ] [ CHEERS AND APPLAUSE ] >> AND WELCOME TO THE FIRST EPISODE OF SEASON TWO OF TV TAKEOVER.

WELCOME TO SEASON TWO, YES.

I AM ADIA MORRIS AND WE ARE THROWING A TV PARTY LIVE IN THE TPT STUDIOS.

THIS SEASON WE'VE GIVEN FOUR LOCAL ARTS ORGANIZATIONS AN HOUR OF TELEVISION AND TOLD THEM TO BROADCAST WHATEVER THEY WANTED.

THE FIRST PARTNER IS TONIGHT'S INDEPENDENT MILL MAKER PROJECT MINNESOTA.

[ CHEERS ] AND THEIR HOUR OF TV IS ALL ABOUT SEPARATING MINNESOTA WOMEN IN FILM.

WE'LL BE FILMING A HALEY BONAR MUSIC VIDEO LIVE RIGHT HERE IN OUR STUDIO, YES.

[ CHEERS ] >> AND HOPEFULLY GETTING IT EDITED BEFORE OUR HOUR RUNS OUT.

WE'LL SCORE A SLENDER FILM LIVE AND SCREEN LOTS OF FILMS MADE BY FEMALE FILMMAKERS.

SPINNING OUR TUNES TONT IS DJ VENUS DE MARS RIGHT OVER HERE.

[ CHEERS ] >> BUT BEFORE WE GET ANY FURTHER, WHY DON'T WE MEET IFP.

?

EVERY TIME I THINK I'M SPINNING OUT THERE BY MYSELF, I GET AN E-MAIL OR A CALL OR A TOUCH BASE IN SOME KIND OF WAY FROM SOMEBODY AT IFP.

♪♪ >> WE HAVE A LOT OF OPPORTUNITIES TO HELP PEOPLE CONNECT WITH A BIGGER AUDIENCE, SHOW THEIR WORK, EXHIBIT THEIR WORK, LESCH NEW THINGS GET NEW TOOLS AND FIND NEW COLLABORATORS EMPOWER THEM TO TELL THEIR OWN STORIES.

>> CLASSES, PEOPLE TO SPEAK WITH, PEOPLE TO NETWORK WITH, I'VE BEEN ABLE TO WORK ON A BUNCH OF DIFFERENT PROJECTS THROUGH IFP.

>> I FEEL VERY WELCOME HERE AND VERY MUCH A PART OF THE COMMUNITY BECAUSE OF IFP.

♪♪ [ CHEERS ] [ APPLAUSE ] >> IF YOU'RE NOT DOWN HERE AT THE PARTY TONIGHT, YOU CAN STILL BE PART OF THE ACTION ON TWITTER!

USE THE HASHTAG #TVTAKEOVER.

WE'LL BE AIRING YOUR TWEETS THROUGHOUT THE BROADCAST.

WE MIGHT SHOW OFF SOME SWEET PHOTOS.

SOMETHING YOU MIGHT WANT TO TWEET ABOUT IS THE FACT THAT TONIGHT WE'RE SHOOTING A BRAND-NEW MUSIC VIDEO FOR HALEY BONAR!

[ CHEERS AND APPLAUSE ] >> IT'S FOR HER SONG "KISMET KILL" ON HER UPCOMING ALBUM "IMPOSSIBLE DREAM."

I'VE GOT HALEY WITH ME RIGHT NOW AS WELL AS NICOLE BRENDING.

[ APPLAUSE ] FOR NICOLE, TOO, PLEASE.

[ APPLAUSE ] >> SO MOST OF THE VIDEO HAS BEEN FILMED; RIGHT?

SO WE JUST NEED ONE MORE SHOT.

>> YEAH, WE NEED A REALLY SEMINAL MOMENT SHOT, THE ON SCREEN KISS, AND WE'RE GOING TO BE RELYING ON SOME FOLKS IN THE AUDIENCE TO HELP US OUT WITH THAT.

[ LAUGHTER ] >> SO I HOPE YOU'RE READY.

>> AND HALEY, HOW DID YOU TWO COME UP WITH THE CONCEPT FOR THIS VIDEO AS YOU WERE WORKING TOGETHER?

WHAT WAS THE DLABRIATION LIKE?

>> WELL, WE REALLY -- IT WAS VERY RANDOM.

WE JUST GOT TOGETHER AND STARTED TALKING ABOUT OUR INFLUENCES AND OUR FAVORITE FILMMAKERS AND DIRECTORS AND CAME UP WITH AN IDEA AND NICOLE RAN WITH IT, AND I THINK IT LOOKS REALLY GREAT, REALLY GREAT.

>> AWESOME.

WONDERFUL.

DID YOU WANT TO SAY SOMETHING ELSE ABOUT THE CONCEPT, NICOLE?

>> NO, IT'S JUST -- I DON'T KNOW.

SHE GAVE ME A SONG.

SHE SAID, HEY, WHAT ABOUT THIS SONG?

AND -- AND I FELL IN LOVE WITH IT.

I LISTENED TO IT ON THE GREEN LINE LIKE 300 TIMES SO A LOT OF THE VIDEO CONCEPT CAME THROUGH THOSE TRAVELS AND YOU'LL SEE SOME LOCATIONS THAT REFLECT THAT, SO.

>> SO YOU SAID YOU WERE LOOKING FOR TWO VOLUNTEERS FROM THE AUDIENCE.

WHAT KINDS OF -- WHO ARE YOU LOOKING FOR?

DO YOU HAVE A CASTING IN MIND?

>> I'M THINKING TELENOVELLA.

WE HAVE SOME COSTUMING TO HELP AND WE NEED A VERY DRAMATIC, INTIMATE MOMENT.

[ LAUGHTER ] >> WELL, THAT SAID, LET'S START LOOKING FOR SOME VOLUNTEERS.

WHO CAME HERE TONIGHT WITH SOMEONE AND WOULD LOVE TO BE FEATURES IN A HALEY BONAR MUSIC VIDEO?

RAISE YOUR HANDS.

DON'T BE SHY.

OKAY, SO WE HAVE A SMALL VOLUNTEER HERE.

>> THAT'S MY VIDEO.

>> SHE'S ALREADY IN IT, SO I'M SORRY, YOU CAN'T BE IN IT.

THANK YOU.

OKAY WE HAD ONE GUY OVER HERE.

IS THERE SOMEONE THAT YOU'VE SEEN THAT YOU WOULD LIKE TO BE THERE WITH?

YOUR HUSBAND, YES.

[ CHEERS ] >> NICOLE, HOW ABOUT THIS CASTING.

I DON'T KNOW, HUSBAND LOOKS A LITTLE AFRAID.

>> HUSBAND, HOW DO YOU FEEL?

>> YES?

THEY'RE BOTH IN?

ALL RIGHT.

WELL, LET'S BRING OUR VOLUNTEERS UP.

YOU'RE VOLUNTEERS.

COME ON UP.

WE'RE GOING TO GET YOU INTO COSTUME AND MAKEUP, AND -- YES, THAT'S RIGHT, THERE WILL BE MAKEUP.

[ LAUGHTER ] >> WELCOME, WELCOME.

WHAT ARE YOUR NAMES REALLY QUICKLY.

>> JEFFREY.

>> JEFFREY.

>> AND ROB.

>> JEFFREY AND ROB, WELCOME.

THANK YOU FOR VOLUNTEERING.

ALL RIGHT, ARE YOU HALEY BONAR FANS?

SAY YES.

>> YES.

>> OKAY, GOOD.

GREAT.

WELL, SO WONDERFUL TO MEET YOU.

WHILE YOU GUYS GET READY TO SHOOT THIS, CHECK THIS OUT.

IN THE FILM INDUSTRY, THERE'S A FIVE TO ONE RATIO OF MEN WORKING ON FILMS TO WOMEN, BUT LOTS OF VERY TALENTED WOMEN RIGHT HERE IN MINNESOTA ARE WORKING TO CHANGE THAT.

SIMPLY BY DOING WHAT THEY DO BEST, MAKING MOVIES.

♪♪ >> WHY SHOULD WE MAKE A FILM WITH WOMEN IN FILM?

>> UM, I WOULD SAY -- >> WHY DO I THINK YOU'RE MAKING A FILM ABOUT WOMEN FILMMAKERS?

WELL I IMAGINE IT HAS SOMETHING TO DO WHAT'S GOING IN HOLLYWOOD AND HAS BEEN FOR THE LAST YOU KNOW SINCE HOLLYWOOD WAS INVENTED.

THERE'S STILL SOME INEQUITY, SO FOR EXAMPLE LOOKING INTO A A PROGRAM SEEING ONLY PICTURES OF WHITE MALES PLAYING WITH GEAR IS DISAPPOINTING, BUT IT'S ALSO DISCOURAGING.

YOU KNOW, YOU HAVE TO AUTOMATICALLY COME INTO A SETTING PREPARED TO BE DOING SOMETHING DIFFERENT, WHICH CAN BE DETRACTING FROM WANTING TO JUST FALL IN LOVE WITH FILM MAKING.

>> FILM MAKING IS JUST THE -- THE MOST INTERESTING WAY TO TELL A STORY, AND IT'S THE -- IT'S THE COLLABORATION THAT I LOVE TO WITH WORKING WITH ALL THE DIFFERENT ARTISTS INVOLVED.

♪♪ ♪♪ >> I THINK FILM IS REALLY GRATIFYING.

IT'S REALLY FUN TO MAKE FILMS.

IT'S REALLY HARD WORK AND IN THE MIDDLE OF IT SOMETIMES I'M LIKE, ARG, WHY DO I DO THIS?

BUT WHEN YOU HAVE THOSE MOMENTS WHEN THINGS HAPPEN BEFORE THE CAMERA, THESE KIND OF MAGIC MOMENTS AND THE STORY STARTS COMING TOGETHER, IT CHANGES PEOPLE.

YOU KNOW, I MADE A FILM ABOUT A TRANSGENDER COUPLE OR TRANSGENDER RELATIONSHIP, AND I COULD SEE MINDS OPENING.

I MEAN, I COULD FEEL IT.

>> I TOLD HER THAT I WANTED TO BE FEMALE.

THAT I WAS TRANCE TRANSSEXUAL.

>> IT'S HARD BECAUSE I DON'T LIKE TO THINK OF MYSELF AS JUST A WOMAN FILMMAKER.

I MEAN, I'M A FILMMAKER JUST LIKE MEN ARE FILMMAKERS, SO AS A FILMMAKER, THE ONE WOR I WOULD SAY THAT DESCRIBES WHAT IT'S LIKE IS HUMBLING.

POWER.

WAR.

>> ONE WORD.

>> REVOLUTIONARY.

♪♪ [ APPLAUSE ] ♪♪ [ CHEERS AND APPLAUSE ] >> WE'RE GOING TO FILM THE FINAL SHOT FROM A BRAND-NEW HALEY BONAR MUSIC VIDEO RIGHT NOW, LIFE IN STUDIO.

>> WE'RE FILMING WITHOUT SOUND SO AUDIENCE FEEL FREE TO MAKE NOISE.

I BELIEVE OUR DIRECTOR IS READY, OUR ACTOR IS READY, YES, BEAUTIFUL, OUR CAMERA IS READY SO TAKE IT AWAY NICOLE.

>> OKAY WE'RE GOING TO SORT OF DO A DRAMATIC ONSCREEN KISS.

I NEED BOTH OF YOU TO KIND OF BE CAMERA CONSCIOUS SO I NEED YOU TO KEEP YOUR FACE TURNED THIS WAY AND I NEED YOU TO KIND OF KEEP YOUR FACE SHEET OUT A LITTLE BIT BUT SO THAT YOU CAN MEET IN THE MIDDLE, RIGHT, FOR A VERY DRAMATIC KISS.

WHY DON'T YOU HOLD HIS FACE.

>> MM-HMM.

>> YEAH, LIKE THAT.

[ LAUGHTER ] >> AND WHEN I CALL ACTION, I WANT TO SEE SOME FACE DEVOURING.

[ LAUGHTER ] [ CHEERS ] >> ALL RIGHT.

WHEN I CALL ACTION .

.

.

AND ACTION.

[ CHEERS ] >> OKAY, CUT.

GREAT.

CAN WE RESET ON LIPSTICK?

[ LAUGHTER ] >> THAT WAS GOOD YOU GUYS.

THIS TIME, I KIND OF WANT TO TAKE IT UP A NOTCH.

[ LAUGHTER ] >> THIS IS THE FIRST -- YOU GUYS -- YOU GUYS REALIZE YOU ARE MADLY IN LOVE, AND THIS IS THE FIRST MOMENT YOU HAVE HAD A HAD ALONE TO EXPRESS THAT.

IN A MORE PHYSICAL WAY.

OKAY.

[ LAUGHTER ] >> ALL RIGHT.

WHEN I CALL ACTIO .

.

.

ACTION!

[ CHEERS ] [ LAUGHTER ] >> GREAT!

CUT!

THAT'S A TAKE.

[ LAUGHTER ] [ CHEERS ] >> BEAUTIFUL, BEAUTIFUL JOB VOLUNTEERS.

THANK YOU SO MUCH.

WELL, I LOVE THE APPLAUSE, YES, MORE APPLAUSE FOR OUR VOLUNTEERS.

[ APPLAUSE ] >> THEY HAD TO BE BRAVE.

[ CHEERS ] >> OUR SHOT IS FINISHED AND IT'S TIME TO RUN THE FOOTAGE UP TO OUR EDITING SUITE AND HAND IT OFF TO THE ANIMATOR IN THE HE HAD EDITING SUITE.

CAN I HAVE SOME APPLAUSE AND CHEERS?

[ CHEERS AND APPLAUSE ] >> YOU GUYS, RUNNING IN HEELS IS HARD.

[ LAUGHTER ] >> FOOTAGE, HERE IT COMES.

HERE IT COMES.

THERE YOU GO.

I AM HANG OFF HANDING OFF TO STEPHANIE AND GETTING IT READY TO EDIT IN THE FINAL MUSIC VIDEO.

HOPEFULLY WE'LL HAVE THE WHOLE THING DONE BY THE END OF THE NIGHT AND YOU'LL SEE THE WORLD PREMIER OF HALEY BONAR VIDEO.

IF WE DON'T, WELL IT'S LIVE TELEVISION.

IT WILL BE FUN ANYWAY.

MEANWHILE, TAKE A LOOK AT WHAT NICOLE AND HER TEAM HAVE BEEN BOYS SHOOTING -- BUSY SHOOTING FOR THE MUSIC VIDEO SO FAR.

♪♪ [ INDISTINCT CHATTER ] ♪♪ >> IT'S SO GOOD.

♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ [ APPLAUSE ] [ CHEERS AND APPLAUSE ] >> WHAT BETTER WAY TO CELEBRATE MINNESOTA WOMEN IN FILM THAN TO SHOW OFF SOME OF THOSE FILMS?

THE FIRST FILM WE'LL BE SCREENING TONIGHT IS ANN PRIM'S "FILMETTO PORTA 2-4-1," WHICH SOME WOULD CALL EXPERIMENTAL, BUT SHE PREFERS TO CALL A NONLINEAR NARRATIVE."

AS FOR WHAT IT'S ABOUT?

PRIM SAYS SHE WAS MEDITATING ON HUMAN DESIRE, BUT WANTS THE VIEWER TO TAKE AWAY THEIR OWN INTERPRETATIONS.

♪♪ ♪♪ ♪♪ ♪♪ >> HEAVY BREATHING ] [ HEAVY BREATHING ] ♪♪ [ SPEAKING IN A LANGUAGE OTHER THAN ENGLISH ] [ SCRATCHY RECORD ] ♪♪ ♪♪ ♪♪ [ HEART BEAT ] [ SQUEAKING ] [ CLOCK TICKING ] .

[ APPLAUSE ] ♪♪ >> IF YOU WANT TO LEARN MORE ABOUT THE MINNESOTA FILM SCENE, CHECK OUT MNTV ON TPT-2 AND THE MINNESOTA CHANNEL THIS MAY.

A BUNCH OF LOCAL FILMMAKERS HAVE WON A CHANCE TO AIR THEIR FILMS ON TPT, AS WELL AS A CASH PRIZE!

IT'S YOUR FRONT ROW TICKET TO CHECK OUT SOME AMAZING SHORT FILMS ALL FROM THE COMFORT OF YOUR HOME, OR YOUR PAJAMAS.

WE DON'T JUDGE.

NEXT UP IN OUR "MINNESOTA WOMEN IN FILM FILM-FEST" IS AN ANIMATION FROM MICHELLE BROST."

LEONARD" IS A PROJECT FROM HER SENIOR YEAR STUDYING ANIMATION AT MCAD.

MICHELLE JOINED THE PROGRAM BECAUSE SHE SAYS ANIMATION WAS THE ONLY MEDIUM SHE KNEW NOTHING ABOUT.

TURNS OUT, SHE WAS PRETTY GOOD AT IT.

ENJOY "LEONARD."

[ BIRDS CHIRPING ] [ BIRDS CHIRPING ] [ WATER FLOWING ] [ COOING ] [ GIVE ME FIVE MINUTES, OKAY?

!

[ HOOTING ] [ .

>> I TOLD YOU, FIVE MINUTES!

GAU GAF SCP [ HOOTING ] [ HOOT ].

>> LEONARD, IF YOU CAN'T WAIT, THEN FLY, FLY!

IT'S NOT MY BEST.

IT'S NOT MY BEST.

[ HOOTING ] ♪♪ [ APPLAUSE ] >> WE'RE TAKING A TRIP BACK IN TIME TO THE 1920S, WHEN SILENT FILMS SCORED BY A LIVE ORCHESTRA WEREN'T YET A THING OF THE PAST.

WE'RE GOING TO TREAT YOU TO A LIVE SCORE OF A SCENE FROM 1925 PHANTOM OF THE OPERA.

I'M HERE WITH BARBARA COHEN, A MINNESOTA NATIVE, WHO BOASTS AN IMPRESSIVE LIST OF AWARDS AS A COMPOSER AND RECORDING ARTIST.

BARBARA, TELL ME, HOW DO YOU GO ABOUT COMPOSING MUSIC FOR A PIECE OF FILM?

>> INITIALLY WE SIT DOWN WITH THE DIRECTOR AND EDIT TORE.

I'LL SIT AND WATCH THE FILM, START FEELING THE STORY, AND THEN I JUST START TO HEAR MUSIC.

>> AWESOME.

WHAT KIND OF MOOD WERE YOU GOING FOR WHEN YOU COMPOSED THIS SCORE?

IS IT SIMILAR TO THE ORIGINAL OR IS IT DIFFERENT?

>> UM, IT'S DIFFERENT IN THE SENSE THAT THE PIANO SCORE FOR THE ORIGINAL THAT I HEARD ANYWAY WAS SUPER, SUPER MOTION ORIENTED ALMOST THE WHOLE TIME.

I TRIED TO ACTUALLY GET THE PATHOS OF THE PHANTOM AND CHRISTINE, YOU KNOW, KIND OF SWITCHED IN THERE.

MOSTLY, I JUST TRIED TO DO SOMETHING THAT FELT LIKE THE FILM FROM THAT TIME, BUT ALSO BROUGHT IN SOME HUMANITY TO IT.

>> WONDERFUL.

AND HOW DID YOU GET STARTED COMPOSING?

>> I WAS OUT IN LOS ANGELES WITH MY BAND.

WE WERE SIGNED TO VIRGIN RECORDS AND A LOT OF SONGS HAD BEEN PLACED IN FILM AND TELEVISION.

MUSIC SUPERVISOR OUT THERE THOUGHT THE SONGS WERE SO SIN MATTIC AND SAID I SHOULD START SCORING AND I GOT THE BUG.

>> AWESOME.

WE ARE HERE WITH LOCAL MUNITIONS AND I AM GOING TO COME UP TO THEM AND ASK THEM THEIR NAMES.

PLEASE INTRODUCE YOURSELF.

>> MY NAME'S MICHAEL SUTTEN.

>> AND WHAT INSTRUMENT DO YOU PLAY.

>> I AM A VINYLIST.

>> I AM GOING TO SAY HE PROBABLY PLAYS THE VIOLIN BUT VIE OHLAS LOOK SIMILAR.

>> HOW DO YOU KNOW BARBARA.

>> I JUST MELT BARBARA YESTERDAY.

I JUST WORK HERE.

[ LAUGHTER ] >> THAT JUST SHOWS WHAT A PROFESSIONAL YOU ARE.

ALL RIGHT.

I'M GOING TO COME OVER HERE AND PLEASE INTRODUCE YOURSELF.

>> I'M JACQUELYN ALTIN.

>> AND YOU PLAY.

>> CELLO.

>> BEAUTIFUL.

HOW LONG HAVE YOU BEEN PLAYING?

>> SINCE I WAS 9.

I'LL LET YOU GUYS FIGURE THAT OUT.

[ LAUGHTER ] >> SO YOU'VE ONLY BEEN PLAYING FOR LIKE TEN YEARS?

GREAT, OKAY.

AND BACK HERE, I DON'T KNOW IF SHE WANTS ME TO ASK HER ANY QUESTIONS BUT I'M GOING TO ANYWAY.

PLEASE INTRODUCE YOURSELF.

>> MY NAME IS SONYA THOMPSON.

>> AND YOU OBVIOUSLY PLAY THE PIANO.

[ LAUGHTER ] DO YOU PLAY ANY OTHER INSTRUMENTS?

>> PLAY THE ORGAN.

>> OH, WONDERFUL.

AND HOW DO YOU KNOW BARBARA.

>> I DON'T.

[ LAUGHTER ] >> I JUST MET HER YESTERDAY.

>> I LOVE IT.

THEY ARE PROFESSIONALS.

ALL RIGHT, WELL I'M GOING TO COME BACK UP HERE.

I'M GOING TO TALK TO YOU SOME MORE.

YEAH, ONE MORE QUESTION.

AND WHAT IS DIFFERENT ABOUT PERFORMING A FILM SCORE LIVE AS OPPOSED TO RECORDING ONE IN THE STUDIO.

>> IT'S TOTALLY MORE NERVE WRACKING I BELIEVE.

THAT WOULD BE MY -- YEAH, IN THE STUDIO YOU CAN TAKE MANY TAKES IF IT'S NOT QUITE RIGHT.

WE'RE JUST GOING TO JAM THIS OUT, BUT THEY'RE SO GOOD.

THESE GUYS ARE ALL SUCH PROS AND THEY BLUE MY MIND YESTERDAY AND I'M EXPEDITED TO PRESENT THIS PIECE FOR YOU GUYS WITH THESE GREAT MUSICIANS.

>> CHAERCH.

>> THAT SAID, WITHOUT ANY FURTHER ADO, 1925, PHANTOM OF THE OPERA.

♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ NOTES ♪♪ [ APPLAUSE ] [ CHEERS AND APPLAUSE ] >> HI I AM UP HERE IN THE HE HADDING SUITE WITH NICOLE AND STEPHANIE.

STEPHANIE LOOKS LIKE SHE'S ON HER PHONE, LOOKS LIKE SHE'S WAITING FOR SOMETHING.

SO STEPHANIE, NICOLE IS ON THE PHONE.

STEPHANIE, HOW IS IT GOING UP HERE IN THE EDITING SUITE.

>> WE'RE JUST KIND OF WAITING FOR IT TO FINISH RENDERING OUT BEFORE IT'S DONE.

>> WHAT DOES THAT MEAN FOR THOSE WHO HAVE NO IDEA.

>> RENDERING IS BASICALLY SAVING THE FILES OUT FRAME BY FRAME, WHICH IS BASICALLY PICTURE BY PICTURE.

>> WOW, SO THAT COULD TAKE A LONG TIME?

>> IT COULD, YEAH.

>> AND HOPEFULLY IT WON'T FOR OUR SAKE.

>> LET'S HOPE SO.

[ LAUGHTER ] >> GREAT AND I THINK NICOLE IS STILL ON THE PHONE.

I'M -- SHE'S TALKING TO HER FATHER.

FL SHE'S -- SHE'S TALKING TO HER DAD SO I'M GOING TO CHECK BACK WITH STEPHANIE.

WHAT WAS ONE OF THE FIRST STEPS YOU TOOK WHEN YOU GOT THE SD CARD.

>> WHEN I TOOK THE FOOTAGE FROM THE CARD AND IMPORTED IT INTO PREMIER WHICH IS THE EDITING SOFTWARE WE'RE USING.

I HAD NICOLE EDIT THE FOOTAGE AND THEN AFTER SHE WAS DONE EDITING, I KEYED OUT THE GREEN SCREEN, WHICH MEANS BASICALLY EDITING COLOR TO MATCH, AND THEN WE COMPOSITED IT, WHICH MEANS LIKE PUTTING IT TOGETHER INTO PIECES INTO THE FOOTAGE.

AND THEN WE RENDERED.

>> AWESOME, WONDERFUL.

SO NICOLE, HOW DO YOU FEEL IT'S GOING?

>> I THINK WE'RE DONE.

>> THAT'S AWESOME.

EVERYBODY CAN BREATHE A SIGH OF RELIEF, WE ARE DONE!

WHAT'S THE TRICKEST PART ABOUT HE HADDING A EDITING A MUSIC VIDEO FOR YOU.

>> IT'S INTERESTING BECAUSE EVERY DIRECTOR WORKS DIFFERENTLY, BUT FOR A STORY VIDEO LIKE THIS, YOU END UP WITH A LOT MORE FOOTAGE THAN OBVIOUSLY WILL FIT IN THE SONG, RIGHT, AND YOU ALSO HAVE TO MAKE CONSIDERATIONS, LIKE, YOU KNOW, ARE WE -- ARE WE CUTTING TO THE BEAT?

YOU KNOW, ARE WE HITTING THE DRAMATIC MOMENT WHERE THEY SHOULD IN THE MOMENT OF THE SONG?

BECAUSE THE SONG HAS ITS OWN DRAMA, SO MAKING THOSE CONSIDERATIONS AND TRYING TO FIT ALL THE PIECES OF THE PUZZLE TOGETHER.

>> DO YOU NORMALLY DO MORE THAN ONE CUT OR DO YOU JUST GO WITH WHAT YOU'VE GOT THE FIRST TIME?

>> OH, NO, THERE'S LOTS OF CUTS.

[ LAUGHTER ] >> I TALK TO HALEY ABOUT WHAT SHE THINKS AND I MIGHT TEST IT ON A FEW PEOPLE.

WITH A STORY VIDEO WITH NO DIALOG YOU WANT TO MAKE SURE PEOPLE UNDERSTAND WHAT'S GOING ON.

IT GOES THROUGH A LOT OF ITERATIONS BEFORE IT REACHES YOU GUYS.

>> THAT'S AWESOME SO MUCH.

THANK YOU SO MUCH I SHOULD SAY.

WELL, I'M GLAD TO HEAR IT'S DONE.

WHEW, WE CAN ALL BREATHE.

HERE IS ANOTHER FILM FOR YOU TO CHECK OUT.

THIS ONE IS CALLED WITHIN THE SKIN, BY EMILY GOTTWALDBERG.

IT'S A DOCUMENTARY, AND IT FOLLOWS TATTOO ARTIST AS SHE WORKS ON HER PROJECT, CAPTURING PHOTOS OF PEOPLE'S SCARS, OTHER SKIN ABNORMALITIES.

>> I THINK IT'S INTERESTING THE THINGS PEOPLE CHOOSE TO PUT ON THEIR SKIN AND THE THINGS PEOPLE DON'T.

OFTEN IF YOU SEE SOMEBODY WITH A SCAR IT ISN'T SOMETHING YOU WOULD THINK ABOUT WHY THEY HAVE A SCAR.

>> I THINK IT'S IMPORTANT TO KNOW THE STORY BEHIND IT AND REALIZE THAT EVERYBODY HAS SOMETHING.

♪♪ >> I WORK AS A TATTOO ARTIST HERE IN TOWN.

MY ENTIRE LIFE, OTHER THAN A FEW YEARS, I'VE LIVED HERE.

WE HAVE, YOU KNOW, POPULATION OF 3,000 PEOPLE, WHICH ISN'T A TON, SO I DID MY PROJECT AT THE COUNTY FAIR.

THAT'S ONE PLACE KIND OF EVERYBODY GOES.

>> HI.

>> HAD MY PRINTER AND CAMERA READY SO IF ANYBODY WANTED TO PARTICIPATE, WE COULD DO IT RIGHT THERE.

>> LET ME SEE YOUR ARM THEN.

>> I'M DOCUMENTING WITH PHOTOS THEIR SKIN TATTOOS, SCARS, SKIN DISORDERS, THINGS LIKE THAT.

>> SO YOU CAN WRITE JUST A SHORT THING OR I HAVE A PIECE OF PAPER.

>> GETTING THEIR STORIES, HAVING THEM WRITE IT IN THEIR OWN WORDS SO THEY CAN SAY WHAT THEY WANT TO.

>> THE SPOT ON MY ARM SHOWED UP WHEN I WAS ABOUT 9.

SOMEHOW I LIKE MANAGED TO KEEP IT A SECRET FROM MY PARENTS FOR TWO YEARS.

IT'S CALLED LITTLELIGO.

SOME SORT OF AUTOIMMUNE THING.

>> PERFECT.

>> WELL, I GOT A SCAR FROM GETTING STABBED IN THE ARM BY A WINE GLASS STEM.

I ACTUALLY FELT THE WIND BLOWING INSIDE MY ARM.

>> SKIN WITH A SCREWDRIVER, MILITARY TRAINING.

>> I HAVE HEARD ALL KINDS OF STORIES.

THERE WAS A GUY WHO HAD BEEN HIT HEAD ON BY A DRUNK DRIVER.

HE SHATTERED A BUNCH OF THE BONES IN HIS LEGS AND FEET, AND HE REMEMBERED LAYING IN THE SNOWBANK, BECAUSE THEY WERE TRYING TO STOP HIM FROM BLEEDING SO MUCH.

A WOMAN ACTUALLY I KNOW HAD A VASECTOMY MY AND SHE CHOSE NOT TO HAVE THE RECONSTRUCTION SURGERY.

>> THERE WERE MANY TIMES WHEN I WOULD LOOK AT MYSELF IN THE MIRROR AND FEEL MUTILATED, BUT ONCE THE TATTOO NECKLACE WAS COMPLETED, I FELT BEAUTIFUL, LIKE I WAS A WALKING PIECE OF ART.

>> THERE WERE A COUPLE OF PEOPLE WHO HAVE BEEN BURNED PRETTY BADLY.

>> 30 YEARS AGO WHEN SOMEONE WAS RELIGHTING A BARBIE CUE GRILL WITH GASOLINE, I WAS BURNED.

GOD REACHED DOWN AND SAVED ME.

>> ONE WOMAN IT HAPPENED WHEN SHE WAS ABOUT 13 YEARS OLD AND TO ME IT WAS REALLY INSPIRING BECAUSE SHE WAS VERY COMFORTABLE IN HER SKIN.

SOME PEOPLE HAVE COMPLETELY OPENED UP TO ME AND TOLD ME STORIES THAT THEY'VE NEVER TOLD ANYONE IN THEIR LIFE.

THERE WAS A GIRL, SHE CAME UP AND KIND OF TALKED TO ME A LITTLE BIT AND THEN TOLD ME THAT SHE USED TO CUT HERSELF.

SHE WANTED PEOPLE TO KNOW THAT SHE'D STOPPED AND SHE WANTED PEOPLE TO KNOW IT DOES STOP.

>> I HAVE NO SIGNIFICANT PHYSICAL -- >> I EVEN HAD ONE POPPLE WHO HAD NO VISIBLE SCARS BUT SHE FELT IT WAS VERY IMPORTANT TO SHARE HER EMOTIONAL SCARS AND WE PHOTOGRAPHED A PART OF HER BODY THAT SHE REALLY DIDN'T LIKE.

>> AND I USE MY OWN -- >> SHE HAD SUFFERED ABUSE, TRYING TO GET PAST IT, THAT'S SOMETHING THAT ALWAYS KIND OF BROUGHT BACK THE MEMORIES.

QUITE A FEW PEOPLE TOLD ME IT'S BEEN A HEALING PROCESS FOR THEM, THAT IT FEELS NICE TO BE ABLE TO TALK ABOUT IT RATHER THAN HAVING PEOPLE WONDER.

>> ARE YOU ON FACEBOOK AT ALL?

>> UH-HUH.

>> HAVE YOU FOUND THE FACEBOOK PAGE FOR IT?

>> YEAH, YEAH.

>> OH, OKAY.

>> I WANT PEOPLE TO TRY TO LOOK AT THEM A LITTLE BIT DIFFERENTLY, TOO.

YOU KNOW HOW SOME PEOPLE STAIR, THIS KIND OF MAKES IT OKAY TO STARE.

THEY CAN SIT AT HOME ALONE LOOK AT ALL THESE THINGS AND SEE THAT IT'S NOTHING TO BE SCARED ABOUT OR WORRIED ABOUT.

I MEAN, TO ME, ALL THESE LITTLE DIFFERENCES, THINGS THAT MAKE US DIFFERENT ARE BEAUTIFUL.

THE TEXTURES, AND THE COLORS.

IT'S PART OF YOUR TIME LINE OF YOUR LIFE.

I THINK IT'S A BEAUTIFUL THING.

[ APPLAUSE ] ♪♪ [ CHEERS AND APPLAUSE ] [ CHEERS ] [ CHEERS AND APPLAUSE ] [ CHEERS AND APPLAUSE ] ♪♪ ANYTHING ABOUT YOU.

>> UH, WHAT DO YOU WANT TO KNOW?

>> WHAT DO YOU WANT TO BE WHEN YOU GROW UP?

>> I DON'T KNOW.

MAYBE A WRITER.

>> SO YOU WANT TO BE THE NEXT J.K. ROWLG?

>> MORE LIKE MARY OLIVER OR SOMETHING.

>> WHO'S THAT?

>> SHE'S A POET.

♪♪ >> MY CUP ISN'T EMPTY.

IT JUST ISN'T FILLED WITH THE SAME BEER EVERYONE ELSE IS DRINKING.

THEIR IS MORE FAMILIAR.

IT SEEMS SWEETER TO THEM, AND FOR A WHILE, I THOUGHT THAT, TOO.

MAYBE SOMEDAY I'LL BE DRINKING IT, YET RIGHT NOW, I DON'T NEED IT.

AND SOMEHOW, I'M OKAY WITH THAT.

>> NUMBER THREE TOP TEN HITS.

CAN YOU GUESS?

♪♪ [ CHEERS AND APPLAUSE ] >> WONDERFUL.

I LOVE IT.

NICOLE, HOW DO YOU THINK IT TURNED OUT?

>> I THINK THAT WAS THE BEST ONSCREEN KISS I'VE EVER DIRECTED.

[ LAUGHTER ] >> I AGREE.

I AGREE.

IT LOOKS BEAUTIFUL.

SEAMLESS THE WAY THAT IT FIT INTO THE MUSIC VIDEO.

HALEY I LOVE THE SONG.

WHEN DOES THE ALBUM COME OUT.

>> AUGUST 5TH.

>> AUGUST 5TH.

OKAY, EVERYBODY, HAVE YOU ALL DONE PREORDERS?

YOU'VE GOT CELL PHONES ON YOU I'M SHOWER.

DO IT NOW.

WONDERFUL.

HOW DO YOU THINK IT TURNED OUT.

>> I THINK IT TURNED OUT AMAZING.

THANKS FOR MAKING OUT IN MY MUSIC VIDEO, GUYS.

>> YES, ROUND OF APPLAUSE.

ROUND OF APPLAUSE FOR THE FILMMAKERS, BE NICOLE.

ROUND OF APPLAUSE FOR HALEY, ROUND OF APPLAUSE FOR OUR VOLUNTEERS, AND EVERYONE >> THAT'S A WRAP FOR THIS EPISODE OF "TV TAKEOVER."

A BIG THANKS TO INDEPENDENT FILMMAKER PROJECT MINNESOTA IF EVERYONE'S AN INDEPENDENCE FILMMAKER PROJECT MINNESOTA COME ON UP.

THANKS FOR BEING PART OF THIS CRAZY RIDE.

SEE YOU BACK HERE NEXT WEEK AT CIRCUS TURNS TPT INTO THE BIG TOP.

BYE, EVERYONE.

[ CHEERS ] ♪♪ [ CHEERS ] [ CHEERS AND APPLAUSE ] ♪♪ [ CHEERS ] ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ TV TAKEOVER IS SUPPORTED IN PART BY THE STATE CULTURE FUND AND CITIZENS OF MINNESOTA AND THROUGH AN ART WORKS GRANT THROUGH THE NATIONAL ENDOWMENT FOR THE ARTS.

ADDITIONAL FUNDING IS PROVIDED BY THE LOWER TOWN FUTURE FUND.